A Sieve Itself May Sieve @ Shanaynay, Jul 30 – Aug 20

, 29 July 2016
news

The A Sieve Itself May Sieve group exhibition is on at Paris’ Shanaynay, opening July 30 and running to August 20.

Featuring work by Kelly Akashi, Talia Chetrit, William King, and Tori Wrånes, the show’s press release comes with a heavily allusive text referring to the sieve as both functional tool, and metaphor for the paradox of the disembodied space and dispersed networked environments: “…a device which concurrently isolates and integrates that which it sieves”.

Of those involved, the Norwegian Wrånes works with sculpture and performance, presenting a solo exhibition called Drastic Pants at London’s Carl Freedman Gallery earlier this year.

See the Shanaynay website for details.**

Toni Wrånes, ‘Rickshaw Ballet’. Installation view. Courtesy the artist.
Toni Wrånes, ‘Rickshaw Ballet’. Installation view. Courtesy the artist.

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'A Sieve Itself May Sieve' Kelly Akashi Shanaynay Talia Chetrit Tori Wrånes William King
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The A Sieve Itself May Sieve group exhibition is on at Paris’ Shanaynay, opening July 30 and running to August 20.

Featuring work by Kelly Akashi, Talia Chetrit, William King, and Tori Wrånes, the show’s press release comes with a heavily allusive text referring to the sieve as both functional tool, and metaphor for the paradox of the disembodied space and dispersed networked environments: “…a device which concurrently isolates and integrates that which it sieves”.

Of those involved, the Norwegian Wrånes works with sculpture and performance, presenting a solo exhibition called Drastic Pants at London’s Carl Freedman Gallery earlier this year.

See the Shanaynay website for details.**

Toni Wrånes, ‘Rickshaw Ballet’. Installation view. Courtesy the artist.
Toni Wrånes, ‘Rickshaw Ballet’. Installation view. Courtesy the artist.
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Karl Larsson @ Shanaynay, Oct 20 – Nov 17

18 October 2016
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The A Sieve Itself May Sieve group exhibition is on at Paris’ Shanaynay, opening July 30 and running to August 20.

Featuring work by Kelly Akashi, Talia Chetrit, William King, and Tori Wrånes, the show’s press release comes with a heavily allusive text referring to the sieve as both functional tool, and metaphor for the paradox of the disembodied space and dispersed networked environments: “…a device which concurrently isolates and integrates that which it sieves”.

Of those involved, the Norwegian Wrånes works with sculpture and performance, presenting a solo exhibition called Drastic Pants at London’s Carl Freedman Gallery earlier this year.

See the Shanaynay website for details.**

Toni Wrånes, ‘Rickshaw Ballet’. Installation view. Courtesy the artist.
Toni Wrånes, ‘Rickshaw Ballet’. Installation view. Courtesy the artist.
  share news item
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