Self-proclaimed “famous new media artist” Jeremy Bailey is giving back to his benefactors by presenting a series of augmented reality portraits of his sponsors. The Kickstarter-funded Important Portraits, showing between Thursday, April 4 and Saturday, May 4 at Toronto’s Pari Nadimi Gallery, draws on a rich history of portraiture as a mode for immortalising figures of significance, as well as providing an income for its artists.
Bailey’s proposal video features the upbeat artist announcing “art is always about who pays for it” and citing all the past “great men who have destroyed entire civilisations, and women too,” as the inspiration behind his modern take on an old tradition. Due to feature on Rhizome’s Seven on Seven conference with a range of other significant artists and developers, April 20, Bailey is an anomalous figure in new media art, presenting as a positive, transparent and satirical persona in his work. You can see more of his work, including his ‘wearing what you watch’ video on his website here. **
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The multiple voices of Keru Not Ever’s ‘Zabriskie’ become a source of corruption within a new topology of the parasite
A look into the unreality of our digital present with Most Dismal Swamp’s Swamp Protocol in London
Seasons out of step: art, ecology & multispecies thinking in the work of Alma Heikkilä
Artificial Intelligence & the global financial market resonates with the drowning human voice of Viscount’s ‘Aching In Faith’
The body biopolitic: Queering the past, present & future with Creamcake’s “< Interrupted = “Cyfem and Queer >” incorporated
Sounding ceramics & domestic ritual with the heavenly vases of Тальник’s Райские вазы in Moscow
WA?STE’s ‘xan 1’ drowns in the distorted reality of internalising external systems by recreating these technological filters in music
Xao’s ‘Embryno’ takes a transcendental trip from the physical to the spiritual realm via the eternal care of the morgue on Astral Black
Trulee Hall’s surreal geographies of sexuality and the psyche at Maccarone, Los Angeles
Victoria Haynes on falling in love with her idols via the internet & the cross-temporal relationships of her museological parafiction
London’s Pentu contributes a delirious digital club dreamscape to Merci Jitter’s Riddled Form compilation
Examining representations of race & queer experience through the lens of artist James Bantone in Zurich
Lucy Cliché contributes ‘Ladies Pool’ to Sydney label Body Promise’s mutant dance music from the Australian DIY underground
Sci-fi futurism & pop cultural interpolations in the Infrared Roses group exhibition at Sleepy Hollow Fine Art, Portland
Art Los Angeles Contemporary’s 10th edition is testament to endurance on the edges of the Californian city as it was & will be
