Last year’s transmediale festival in Berlin explored the influence of shifting cultural paradigms on our understanding of science and the world with Back When Pluto Was a Planet and yielded impressive appearances by the like of Andrew Norman Wilson and Jennifer Chan. This year afterglow explores the perceived digital cultural wasteland we exist in in the wake of the Great Land Grab by those major corporate entities that descended on the web early on and they’re seeking artists with finished works engaging with this post-internet discourse exploring the aftermath. Submissions close on July 31 so see the transmediale website for more details. **
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Eleanor Weber @ M.I., opening Feb 24
Last year’s transmediale festival in Berlin explored the influence of shifting cultural paradigms on our understanding of science and the world with Back When Pluto Was a Planet and yielded impressive appearances by the like of Andrew Norman Wilson and Jennifer Chan. This year afterglow explores the perceived digital cultural wasteland we exist in in the wake of the Great Land Grab by those major corporate entities that descended on the web early on and they’re seeking artists with finished works engaging with this post-internet discourse exploring the aftermath. Submissions close on July 31 so see the transmediale website for more details. **
Sadness of Microtonality 2.2 @ M.I., Feb 11
Last year’s transmediale festival in Berlin explored the influence of shifting cultural paradigms on our understanding of science and the world with Back When Pluto Was a Planet and yielded impressive appearances by the like of Andrew Norman Wilson and Jennifer Chan. This year afterglow explores the perceived digital cultural wasteland we exist in in the wake of the Great Land Grab by those major corporate entities that descended on the web early on and they’re seeking artists with finished works engaging with this post-internet discourse exploring the aftermath. Submissions close on July 31 so see the transmediale website for more details. **
‘Piracy Today’ @ Penthouse 4C
Last year’s transmediale festival in Berlin explored the influence of shifting cultural paradigms on our understanding of science and the world with Back When Pluto Was a Planet and yielded impressive appearances by the like of Andrew Norman Wilson and Jennifer Chan. This year afterglow explores the perceived digital cultural wasteland we exist in in the wake of the Great Land Grab by those major corporate entities that descended on the web early on and they’re seeking artists with finished works engaging with this post-internet discourse exploring the aftermath. Submissions close on July 31 so see the transmediale website for more details. **
‘Bonus Levels’ @ Artlicks Weekend
Last year’s transmediale festival in Berlin explored the influence of shifting cultural paradigms on our understanding of science and the world with Back When Pluto Was a Planet and yielded impressive appearances by the like of Andrew Norman Wilson and Jennifer Chan. This year afterglow explores the perceived digital cultural wasteland we exist in in the wake of the Great Land Grab by those major corporate entities that descended on the web early on and they’re seeking artists with finished works engaging with this post-internet discourse exploring the aftermath. Submissions close on July 31 so see the transmediale website for more details. **
‘Reasons to Be Creative’ running Sep 2 to 4
Last year’s transmediale festival in Berlin explored the influence of shifting cultural paradigms on our understanding of science and the world with Back When Pluto Was a Planet and yielded impressive appearances by the like of Andrew Norman Wilson and Jennifer Chan. This year afterglow explores the perceived digital cultural wasteland we exist in in the wake of the Great Land Grab by those major corporate entities that descended on the web early on and they’re seeking artists with finished works engaging with this post-internet discourse exploring the aftermath. Submissions close on July 31 so see the transmediale website for more details. **