Shana Moulton

Dark Water @ CGP London, Sep 1

31 August 2016

The Dark Water night of performance and screenings is on at London’s CGP on September 1.

Programmed by Tai Shani and  A- – -Z, an excerpt from Shani’s The Vampyre (2016) is used in the press release as a taster for the evening:

“At the point of ‘Heat Death of the Universe’ or maximum Entropy / A realised cyborgian myth / A Subliminal intervention between Here and Nowhere”

The night of performances and screenings will look at Sci-Fi, gender, technology, contemporary gothic, inner space and morphic bodies and features work by Dara BirnbaumBrice Dellsperger,
Plastique FantastiqueThe Man Who FailedShana MoultonTakeshi MurataFani Parali and Shani.

A—Z is a curatorial platform produced by Anne Duffau that focuses on the idea of Entropy as the driving force behind each project. Shani is a multi-media artist whose practice spans across performance, video, photography, sound and curatorial.

See the CGP London website for details.**

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MONO5 @ Courtyard Theatre, Feb 3

2 February 2016

MONO5 is taking place at London’s Courtyard Theatre on the evening of February 3.

MONO is an artist initiative dedicated to moving image and hosting screenings set up by Rafal Zajko. For the upcoming event, and mono’s fifth, Zajko has invited 16 artists including Sophie Hoyle, Owen Thackeray, Zehra Arslan, Beatriz Olabarrieta and Shana Moulton.

MONO5 hopes to showcase the breadth of work made and approaches sought in the moving image field. Each work is always less than five minutes long, producing, perhaps, a coherent but scattered effect.

See the FB event page for more details**

Owen Thackeray, Stethics Part 2 (Trailer), still from video, 2015. Courtesy the artist.
Owen Thackeray, Stethics Part 2 (Trailer), still from video (2015). Courtesy the artist.

 

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Shana Moulton performance @ SLG, Dec 10

10 December 2014

Shana Moulton brings a new, sold-out performance titled See me, feel me, touch me, heal me to South London Gallery today at 7pm.

The performance, developed in conjunction with Moulton’s recent video, Mindplace Thoughtstream, comes woven through some of the artist’s video works for a layered multimedia experience of the “anxiety and dreams associated with bio medical advance and alternative medicine”.

The Californian-born artist, whose background lies in Art and Anthropology, has made a lifelong project of her ongoing video/performance series, Whispering Pines, in which her alter ego, Cynthia, is healed by an “Avon lady/witch-healer”. Building on themes of self-healing and the “hysterics of personal improvement”, Moulton’s recent explores the gaps between the catharsis and cliché intrinsic to quests of self-improvement.

See the SLG event page for details. **

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‘No one lives here’ @ RCA reviewed

No One Lives Here. Planetarity
21 March 2013

At the entrance of No one lives here, the latest exhibition by MA Curating students from the Royal College of Art, is a research display focused on the Pionen White Mountain Data Centre based near Stockholm, Sweden. Three-dimensional renderings, alongside a short film, show how unique this converted bunker space appears, juxtaposed as it is with plants, geometric glass offices and whirring computer servers. It’s everything a James Bond villain could wish for and as the architect Albert France-Lanord explains in an interview, deliberately so.  Its over-sized doors made to look secure, its sci-fi aesthetic designed to draw clients in closer to a vision of the future.

Pionen White Mountain Data Centre. Image courtesy of Albert France-Lanord Architects. Photo by Åke E-son Lindman.
Pionen White Mountain Data Centre. Image courtesy of Albert France-Lanord Architects. Photo by Åke E-son Lindman.

Continue reading ‘No one lives here’ @ RCA reviewed

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