Lucy Clout

Lucy Clout @ Limoncello, Mar 10 – Apr 16

8 March 2016

Lucy Clout will present solo show Warm Bath at London’s Limoncello, opening March 10 and running April 16.

There is very little information given with the press release to the show apart from an image. The image looks at first like whoever is taking the photograph is holding an image up near the camera, obscuring the view of the people who are sitting on the sofa behind. But the image is kind of in the people – it’s big and it’s physically blocking them, cutting all of them out apart from their legs and the fringe of one of them. It’s not clear whether this is superimposed or in the room like a weighty square poster.

This will be the first of Clout’s presentations with the gallery, who have been representing her for a few years.

See the FB event page for (limited) details**

 

Lucy Clout, Baby Baby Baby Baby Oh Baby- On the Reading of Emoticons by Infants and Newborns, 2012. (Why the Fuck do Faces Need Noses?!?) (2012). Courtesy the artist and Limoncello Gallery
Lucy Clout, ‘Baby Baby Baby Baby Oh Baby- On the Reading of Emoticons by Infants and Newborns, 2012. (Why the Fuck do Faces Need Noses?!?)’ (2012). Courtesy the artist and Limoncello Gallery
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LOCOMOTION @ STORE, May 2 – 4

28 April 2014

The first LOCOMOTION Artists’ Moving Image Festival is on at London’s STORE, running from May 2 to 4.

Bringing together a series of screen-based presentations by artists working with the moving image, including Steve Reinke, Juliette Bonneviot, Rachel Reupke, Jenna Bliss, Sam Keogh and Chris Kraus and others, the festival follows three distinct, though interrelated themes across Moving Parts, Burning the Days and Selected.

Each programme explores the negotiation between people and their environment, censorship and the voice, as well as a selection of works chosen by Lucy Clout, Anna Gritz and Omar Kholeif.

Read an interview with Rachel Reupke and see the LOCOMOTION website for details or email info@locomotion.org.uk to reserve tickets. **

Header image: Yuri Pattison, ‘Colocation, time displacement’.

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