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Sayre Gomez Déjà Vu (2017) Installation view. Courtesy the artist + Ghebaly Gallery, Los Angeles.
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Sayre Gomez Déjà Vu (2017) Installation view. Courtesy the artist + Ghebaly Gallery, Los Angeles.
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Sayre Gomez Déjà Vu (2017) Installation view. Courtesy the artist + Ghebaly Gallery, Los Angeles.
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Sayre Gomez Déjà Vu (2017) Installation view. Courtesy the artist + Ghebaly Gallery, Los Angeles.
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Sayre Gomez Déjà Vu (2017) Installation view. Courtesy the artist + Ghebaly Gallery, Los Angeles.
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Sayre Gomez 'Angelina Hosiery with Chain Link and Ivy' (2017) Installation view. Courtesy the artist + Ghebaly Gallery, Los Angeles.
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Sayre Gomez 'Behind Door' (2017) Installation view. Courtesy the artist + Ghebaly Gallery, Los Angeles.
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Sayre Gomez 'Behind Door' (2017) Installation view. Courtesy the artist + Ghebaly Gallery, Los Angeles.
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Sayre Gomez 'Building in Deconstruction with Chain Link ' (2017) Installation view. Courtesy the artist + Ghebaly Gallery, Los Angeles.
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Sayre Gomez Déjà Vu (2017) Installation view. Courtesy the artist + Ghebaly Gallery, Los Angeles.
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Sayre Gomez 'Good Boy' (2017) Installation view. Courtesy the artist + Ghebaly Gallery, Los Angeles.
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Sayre Gomez 'Mural with Chain Link and Ivy' (2017) Installation view. Courtesy the artist + Ghebaly Gallery, Los Angeles.
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Sayre Gomez 'World Won't Listen' (2017) Installation view. Courtesy the artist + Ghebaly Gallery, Los Angeles.

Eternal return + the cooptation of collective imagination in the repetitions + recurrences of Sayre Gomez’s Déjà Vu

, 21 November 2017

Sayre Gomez presented solo exhibition Déjà Vu at Los Angeles’ Ghebaly Gallery, which opened October 14 and ran to November 18.

Sayre Gomez ‘Behind Door’ (2017) Installation view. Courtesy the artist + Ghebaly Gallery, Los Angeles.

The Los Angeles-based artist presented a multimedia installation with an accompanying text by writer and curator Olivian Cha. As you walk into the space, you are first met with the enraged gorilla character from Disney’s Dumbo (1941) who plays on a small screen through six-second loop. Remaining in a state of perpetual protest, the video “sets a tone of eternal return, prefacing several repetitions and recurrences throughout the exhibition.”

Symbols of confinement and closure continue with fences, closed doors and painted windows throughout the space. Cha notes that the works become a “cooptation of a collective imagination, one in which power, violence, and domination are championed and perversely aestheticized.”**

Sayre Gomez presented solo exhibition Déjà Vu at Los Angeles’ Ghebaly Gallery which opened October 14 and ran to November 18, 2017.