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Heike-Karin Foell  Ma line (2017) Installation view.. Courtesy the artist + Tonus, Paris
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Heike-Karin Foell  Ma line (2017) Installation view.. Courtesy the artist + Tonus, Paris
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Heike-Karin Foell  Ma line (2017) Installation view.. Courtesy the artist + Tonus, Paris
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Heike-Karin Foell  Ma line (2017) Installation view.. Courtesy the artist + Tonus, Paris
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Heike-Karin Foell  Ma line (2017) Installation view.. Courtesy the artist + Tonus, Paris
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Heike-Karin Foell  Ma line (2017) Installation view.. Courtesy the artist + Tonus, Paris
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Heike-Karin Foell  Ma line (2017) Installation view.. Courtesy the artist + Tonus, Paris
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Heike-Karin Foell  Ma line (2017) Installation view.. Courtesy the artist + Tonus, Paris
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Heike-Karin Foell  Ma line (2017) Installation view.. Courtesy the artist + Tonus, Paris
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Heike-Karin Foell  Ma line (2017) Installation view.. Courtesy the artist + Tonus, Paris
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Heike-Karin Foell  Ma line (2017) Installation view.. Courtesy the artist + Tonus, Paris
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Heike-Karin Foell  Ma line (2017) Installation view.. Courtesy the artist + Tonus, Paris
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Heike-Karin Foell  Ma line (2017) Installation view.. Courtesy the artist + Tonus, Paris

Inverting our expectations of a deflated space: a look at leftovers + trace in Heike-Karin Foell’s Ma line at Tonus

, 30 October 2017

Heike-Karin Foell‘s solo exhibition Ma line at Paris’ Tonus opened October 16 and running to November 5. 

Heike-Karin Foell’s Ma line (2017) Detail. Courtesy the artist + Tonus, Paris.

Curated by Maurin Dietrich and Cathrin Mayer, the Berlin-based artist created an installation that trickled out into the surrounding streets and shops, including subways and storefronts. Exploring ’emotional dis/orientation,’ Foell looks at the moment of leftovers, trace, borders and when when things begin to merge.

Foell’s practice investigates “the boundaries of legibility, accessibility and (re)presentation modes that relate to the impermanence of messages we read continually,” and for this particular exhibition she focuses on the flat surface, combining autobiographical images, ‘floating scripts like signs,’ and the technique of scratching to invert “our expectations of a deflated space.”

The work is being shown during the week of major Paris-based art fair FIAC and it’s smaller fringe event Paris Internationale and also includes a selection of Japanese avantgarde techno/city pop and Italianian piano house by Julian Göthe.**

Heike-Karin Foell’s solo exhibition Ma line at Paris’ Tonus opened October 16 and running to November 5, 2017.

Tracing the presence of a body through emotional dis/orientation in Heike-Karin Foell Ma line at Tonus, Oct 16 – Nov 5

18 October 2017

Heike-Karin Foell‘s solo exhibition Ma line at Paris’ Tonus opened October 16 and running to November 5. 

Heike-Karin Foell’s Ma line (2017) Detail. Courtesy the artist + Tonus, Paris.

Curated by Maurin Dietrich and Cathrin Mayer, the Berlin-based artist created an installation that trickled out into the surrounding streets and shops, including subways and storefronts. Exploring ’emotional dis/orientation,’ Foell looks at the moment of leftovers, trace, borders and when when things begin to merge.

Foell’s practice investigates “the boundaries of legibility, accessibility and (re)presentation modes that relate to the impermanence of messages we read continually,” and for this particular exhibition she focuses on the flat surface, combining autobiographical images, ‘floating scripts like signs,’ and the technique of scratching to invert “our expectations of a deflated space.”

The work is being shown during the week of major Paris-based art fair FIAC and it’s smaller fringe event Paris Internationale and also includes a selection of Japanese avantgarde techno/city pop and Italianian piano house by Julian Göthe.**

Heike-Karin Foell’s solo exhibition Ma line at Paris’ Tonus opened October 16 and running to November 5, 2017.

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Tracing the presence of a body through emotional dis/orientation in Heike-Karin Foell Ma line at Tonus, Oct 16 – Nov 5

18 October 2017

Heike-Karin Foell‘s solo exhibition Ma line at Paris’ Tonus opened October 16 and running to November 5. 

Heike-Karin Foell’s Ma line (2017) Detail. Courtesy the artist + Tonus, Paris.

Curated by Maurin Dietrich and Cathrin Mayer, the Berlin-based artist created an installation that trickled out into the surrounding streets and shops, including subways and storefronts. Exploring ’emotional dis/orientation,’ Foell looks at the moment of leftovers, trace, borders and when when things begin to merge.

Foell’s practice investigates “the boundaries of legibility, accessibility and (re)presentation modes that relate to the impermanence of messages we read continually,” and for this particular exhibition she focuses on the flat surface, combining autobiographical images, ‘floating scripts like signs,’ and the technique of scratching to invert “our expectations of a deflated space.”

The work is being shown during the week of major Paris-based art fair FIAC and it’s smaller fringe event Paris Internationale and also includes a selection of Japanese avantgarde techno/city pop and Italianian piano house by Julian Göthe.**

Heike-Karin Foell’s solo exhibition Ma line at Paris’ Tonus opened October 16 and running to November 5, 2017.

  share news item

Luca Francesconi @ TONUS, Apr 17 – May 2

16 April 2015

Heike-Karin Foell‘s solo exhibition Ma line at Paris’ Tonus opened October 16 and running to November 5. 

Heike-Karin Foell’s Ma line (2017) Detail. Courtesy the artist + Tonus, Paris.

Curated by Maurin Dietrich and Cathrin Mayer, the Berlin-based artist created an installation that trickled out into the surrounding streets and shops, including subways and storefronts. Exploring ’emotional dis/orientation,’ Foell looks at the moment of leftovers, trace, borders and when when things begin to merge.

Foell’s practice investigates “the boundaries of legibility, accessibility and (re)presentation modes that relate to the impermanence of messages we read continually,” and for this particular exhibition she focuses on the flat surface, combining autobiographical images, ‘floating scripts like signs,’ and the technique of scratching to invert “our expectations of a deflated space.”

The work is being shown during the week of major Paris-based art fair FIAC and it’s smaller fringe event Paris Internationale and also includes a selection of Japanese avantgarde techno/city pop and Italianian piano house by Julian Göthe.**

Heike-Karin Foell’s solo exhibition Ma line at Paris’ Tonus opened October 16 and running to November 5, 2017.

  share news item