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Susannah Stark & Karolina Lebek Unnatural Wealth (2017) Film still. Courtesy the artists + StudioRCA Riverlight, London
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Susannah Stark & Karolina Lebek Unnatural Wealth (2017) Installation view. Courtesy the artists + StudioRCA Riverlight, London
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Susannah Stark & Karolina Lebek Unnatural Wealth (2017) Installation view. Courtesy the artists + StudioRCA Riverlight, London
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Susannah Stark & Karolina Lebek Unnatural Wealth (2017) Installation view. Courtesy the artists + StudioRCA Riverlight, London
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Susannah Stark & Karolina Lebek Unnatural Wealth (2017) Installation view. Courtesy the artists + StudioRCA Riverlight, London
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Susannah Stark & Karolina Lebek Unnatural Wealth (2017) Installation view. Courtesy the artists + StudioRCA Riverlight, London
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Susannah Stark & Karolina Lebek Unnatural Wealth (2017) Installation view. Courtesy the artists + StudioRCA Riverlight, London

Cultural Producer Anne Duffau introduces us to A—Z + StudioRCA Riverlight with a mood board + picks of the present

, 15 August 2017
focus

London-based curator Anne Duffau introduces us to her platform A- – -Z as well as StudioRCA Riverlight. Working on the programme for this coming year, the series will be looking at the notion of the ‘other’, bodies and public spaces, cybernetic/women and technology, exploring the possible changes to questioning and rethinking our future as well as our past. 

Chooc Ly Tan, ‘Disobey to the Dance of Time Dusk #5’ (2016). Courtesy StudioRCA Riverlight + A—Z, London.

“Embrace diversity.
Unite—
Or be divided,
robbed,
ruled,
killed
By those who see you as prey.
Embrace diversity
Or be destroyed.”

― Octavia E. Butler, Parable of the Sower, 1993

I have been running an exploratory curatorial platform named A- – -Z  for the past five years. One of the main aims is to push boundaries in what an exhibition could be, as well as what curating means – (I sometimes prefer the word cultural producer). Playing on language and words, A- – -Z is a morphic entity, it infiltrates unusual spheres, a bit like a virus. Flexible in its format, it offers a platform for practitioners to trigger experiments – looking at what’s happening in art, speculative design, music, ecology and more.

Thinking on how a narrative is often used as a way to address socio-political concerns, A- – -Z started with a screening A– -Apocalypse at V22, with works by Anri Sala, Benedict Drew, Katja Davar, Chris Cunningham, Alicja Rogalska, The Otolith Group and many more.

Otolith Group, The Radiant. Film Still.
Otolith Group, The Radiant. Film Still.

This first event set the tone for an interest in sci-fi and fiction in order to address current issues. A- – -Z disseminates works through printed matter to create alternative distribution streams, using formats such as postcards, B—Beyond with Jon Rafman or a calendar Days of the Nones with 12 artists including Emma Hart, Markus Water, Alix Marie, Tai Shani and Doggerland, or a newspaper with the fashion designer Dinu Bodiciu and Kabukimono.

The platform also operates online with projects such as Status Quo – where I commissioned artists to make gifs in relation to their current concerns or moods, including Evan Ifekoya, Martha Rosler, Mark Leckey, Matt Calderwood, Keep it complex – make it clear, Patrick Staff and Erica Scourti

For the past year, A- – -Z has been based in Nine Elms in a space called StudioRCA Riverlight, at the bottom of apartment towers close to Vauxhall. Exhibitions, discussions, and performances including DJ-ing, large-format video projections and dance have been taking place throughout. From May 2016 to September 2017, A- – -Z presented the Dusk Exhibition Series with Ifekoya, Daniel ShankenRehana ZamanChooc Ly Tan, Heather McCalden, Imran PerrettaJohann Arens, Karolina Lebek and Susannah Stark. The invited artists showed newly commissioned videos and installations for a month each, to be experienced from outside the gallery space – fully visible only during the dark hours, and shown for the first time in London. A performance and/or talk introduced the project and focused on themes including transgender, sci-fi and the post-human.

Imran Perretta, ‘DESH’ (HD video still), 2016.

Another series I’m working on is an ongoing curatorial collaboration with the artist Tai Shani called Dark Water. So far we made two large-scale events at CGP Gallery/Dilston Grove named ‘Dark Water’ and ‘Dark Water: The Dead of Night’ – these were designed to present evenings of performances and screenings around Sci-Fi, gender, the contemporary gothic and extending our ongoing research into the notions of amorphous body through technology and inner space.

A- – -Z has made a special selection for AQNB of what it’s been currently listening to and interested in – a mood board of the instant / picks of the present:

1. Jlin, ‘Unknown Tongues’ (2017)

Jlin is a singular musician to follow, listen, and play on and on – her new album, Black Origami, is strong and powerful.

2. ‘Define Gender: Victoria Sin’ (2017) by Amrou Al-Kadhi

Victoria Sin is doing something unique and they explain their aims so poetically and clearly that this video should be played on public transports and in pubs: “The labour of femininity isn’t only the performance, it’s perseverance in the face of our ascribed and inscribed precarity. It’s the struggle to be respected and have our agencies recognized. When I decide to take up space it is often seen as rude to those who are used to be making myself small.”

3. Angela Davis and Judith Butler 

This talk with Angela Davis and Judith Butler on inequality moderated by Ramona Naddaff is very current and urgent – it also shows how much work is to be done in terms of including people with impairments and disabilities to public events.

4. Aaliyah x Rihanna mash up

Two of the greatest in Amorphous magical mash up – delightful.

5. Valleyz, Tessellated, & Amindi K. Fro$t – Pine & Ginger

A tale of sorrow and escaping in sweet vices – produced by Valleyz, and performed by Tessellated and Amindi K. Fro$t

6. Bjork 

Bjork – and this video from what is her best album (to me), Vespertine, directed by the fashion designer Ekio Ishioka (Bram Stoker’s Dracula)

7. Spike Jonze ‘I’m Here’ 

Beautifully shot and because we all need a good robot love story

8. DJ Rachel 

DJ Rachel is part of the East African collective called Santuri – I love the fact that they include a page called ‘femme electronic’ on their website.**

Karolina Lebek + Susannah Stark’s Unnatural Wealth is on at London’s StudioRCA Riverlight, running July 27 to September 7. 

What comes after resistance? Acoustic Mirrors at Diaspore, Mar 29 – Apr 30

28 March 2017

London-based curator Anne Duffau introduces us to her platform A- – -Z as well as StudioRCA Riverlight. Working on the programme for this coming year, the series will be looking at the notion of the ‘other’, bodies and public spaces, cybernetic/women and technology, exploring the possible changes to questioning and rethinking our future as well as our past. 

Chooc Ly Tan, ‘Disobey to the Dance of Time Dusk #5’ (2016). Courtesy StudioRCA Riverlight + A—Z, London.

“Embrace diversity.
Unite—
Or be divided,
robbed,
ruled,
killed
By those who see you as prey.
Embrace diversity
Or be destroyed.”

― Octavia E. Butler, Parable of the Sower, 1993

I have been running an exploratory curatorial platform named A- – -Z  for the past five years. One of the main aims is to push boundaries in what an exhibition could be, as well as what curating means – (I sometimes prefer the word cultural producer). Playing on language and words, A- – -Z is a morphic entity, it infiltrates unusual spheres, a bit like a virus. Flexible in its format, it offers a platform for practitioners to trigger experiments – looking at what’s happening in art, speculative design, music, ecology and more.

Thinking on how a narrative is often used as a way to address socio-political concerns, A- – -Z started with a screening A– -Apocalypse at V22, with works by Anri Sala, Benedict Drew, Katja Davar, Chris Cunningham, Alicja Rogalska, The Otolith Group and many more.

Otolith Group, The Radiant. Film Still.
Otolith Group, The Radiant. Film Still.

This first event set the tone for an interest in sci-fi and fiction in order to address current issues. A- – -Z disseminates works through printed matter to create alternative distribution streams, using formats such as postcards, B—Beyond with Jon Rafman or a calendar Days of the Nones with 12 artists including Emma Hart, Markus Water, Alix Marie, Tai Shani and Doggerland, or a newspaper with the fashion designer Dinu Bodiciu and Kabukimono.

The platform also operates online with projects such as Status Quo – where I commissioned artists to make gifs in relation to their current concerns or moods, including Evan Ifekoya, Martha Rosler, Mark Leckey, Matt Calderwood, Keep it complex – make it clear, Patrick Staff and Erica Scourti

For the past year, A- – -Z has been based in Nine Elms in a space called StudioRCA Riverlight, at the bottom of apartment towers close to Vauxhall. Exhibitions, discussions, and performances including DJ-ing, large-format video projections and dance have been taking place throughout. From May 2016 to September 2017, A- – -Z presented the Dusk Exhibition Series with Ifekoya, Daniel ShankenRehana ZamanChooc Ly Tan, Heather McCalden, Imran PerrettaJohann Arens, Karolina Lebek and Susannah Stark. The invited artists showed newly commissioned videos and installations for a month each, to be experienced from outside the gallery space – fully visible only during the dark hours, and shown for the first time in London. A performance and/or talk introduced the project and focused on themes including transgender, sci-fi and the post-human.

Imran Perretta, ‘DESH’ (HD video still), 2016.

Another series I’m working on is an ongoing curatorial collaboration with the artist Tai Shani called Dark Water. So far we made two large-scale events at CGP Gallery/Dilston Grove named ‘Dark Water’ and ‘Dark Water: The Dead of Night’ – these were designed to present evenings of performances and screenings around Sci-Fi, gender, the contemporary gothic and extending our ongoing research into the notions of amorphous body through technology and inner space.

A- – -Z has made a special selection for AQNB of what it’s been currently listening to and interested in – a mood board of the instant / picks of the present:

1. Jlin, ‘Unknown Tongues’ (2017)

Jlin is a singular musician to follow, listen, and play on and on – her new album, Black Origami, is strong and powerful.

2. ‘Define Gender: Victoria Sin’ (2017) by Amrou Al-Kadhi

Victoria Sin is doing something unique and they explain their aims so poetically and clearly that this video should be played on public transports and in pubs: “The labour of femininity isn’t only the performance, it’s perseverance in the face of our ascribed and inscribed precarity. It’s the struggle to be respected and have our agencies recognized. When I decide to take up space it is often seen as rude to those who are used to be making myself small.”

3. Angela Davis and Judith Butler 

This talk with Angela Davis and Judith Butler on inequality moderated by Ramona Naddaff is very current and urgent – it also shows how much work is to be done in terms of including people with impairments and disabilities to public events.

4. Aaliyah x Rihanna mash up

Two of the greatest in Amorphous magical mash up – delightful.

5. Valleyz, Tessellated, & Amindi K. Fro$t – Pine & Ginger

A tale of sorrow and escaping in sweet vices – produced by Valleyz, and performed by Tessellated and Amindi K. Fro$t

6. Bjork 

Bjork – and this video from what is her best album (to me), Vespertine, directed by the fashion designer Ekio Ishioka (Bram Stoker’s Dracula)

7. Spike Jonze ‘I’m Here’ 

Beautifully shot and because we all need a good robot love story

8. DJ Rachel 

DJ Rachel is part of the East African collective called Santuri – I love the fact that they include a page called ‘femme electronic’ on their website.**

Karolina Lebek + Susannah Stark’s Unnatural Wealth is on at London’s StudioRCA Riverlight, running July 27 to September 7. 

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Chooc Ly Tan @ StudioRCA Riverlight, Sep 14 – Nov 1

12 September 2016

London-based curator Anne Duffau introduces us to her platform A- – -Z as well as StudioRCA Riverlight. Working on the programme for this coming year, the series will be looking at the notion of the ‘other’, bodies and public spaces, cybernetic/women and technology, exploring the possible changes to questioning and rethinking our future as well as our past. 

Chooc Ly Tan, ‘Disobey to the Dance of Time Dusk #5’ (2016). Courtesy StudioRCA Riverlight + A—Z, London.

“Embrace diversity.
Unite—
Or be divided,
robbed,
ruled,
killed
By those who see you as prey.
Embrace diversity
Or be destroyed.”

― Octavia E. Butler, Parable of the Sower, 1993

I have been running an exploratory curatorial platform named A- – -Z  for the past five years. One of the main aims is to push boundaries in what an exhibition could be, as well as what curating means – (I sometimes prefer the word cultural producer). Playing on language and words, A- – -Z is a morphic entity, it infiltrates unusual spheres, a bit like a virus. Flexible in its format, it offers a platform for practitioners to trigger experiments – looking at what’s happening in art, speculative design, music, ecology and more.

Thinking on how a narrative is often used as a way to address socio-political concerns, A- – -Z started with a screening A– -Apocalypse at V22, with works by Anri Sala, Benedict Drew, Katja Davar, Chris Cunningham, Alicja Rogalska, The Otolith Group and many more.

Otolith Group, The Radiant. Film Still.
Otolith Group, The Radiant. Film Still.

This first event set the tone for an interest in sci-fi and fiction in order to address current issues. A- – -Z disseminates works through printed matter to create alternative distribution streams, using formats such as postcards, B—Beyond with Jon Rafman or a calendar Days of the Nones with 12 artists including Emma Hart, Markus Water, Alix Marie, Tai Shani and Doggerland, or a newspaper with the fashion designer Dinu Bodiciu and Kabukimono.

The platform also operates online with projects such as Status Quo – where I commissioned artists to make gifs in relation to their current concerns or moods, including Evan Ifekoya, Martha Rosler, Mark Leckey, Matt Calderwood, Keep it complex – make it clear, Patrick Staff and Erica Scourti

For the past year, A- – -Z has been based in Nine Elms in a space called StudioRCA Riverlight, at the bottom of apartment towers close to Vauxhall. Exhibitions, discussions, and performances including DJ-ing, large-format video projections and dance have been taking place throughout. From May 2016 to September 2017, A- – -Z presented the Dusk Exhibition Series with Ifekoya, Daniel ShankenRehana ZamanChooc Ly Tan, Heather McCalden, Imran PerrettaJohann Arens, Karolina Lebek and Susannah Stark. The invited artists showed newly commissioned videos and installations for a month each, to be experienced from outside the gallery space – fully visible only during the dark hours, and shown for the first time in London. A performance and/or talk introduced the project and focused on themes including transgender, sci-fi and the post-human.

Imran Perretta, ‘DESH’ (HD video still), 2016.

Another series I’m working on is an ongoing curatorial collaboration with the artist Tai Shani called Dark Water. So far we made two large-scale events at CGP Gallery/Dilston Grove named ‘Dark Water’ and ‘Dark Water: The Dead of Night’ – these were designed to present evenings of performances and screenings around Sci-Fi, gender, the contemporary gothic and extending our ongoing research into the notions of amorphous body through technology and inner space.

A- – -Z has made a special selection for AQNB of what it’s been currently listening to and interested in – a mood board of the instant / picks of the present:

1. Jlin, ‘Unknown Tongues’ (2017)

Jlin is a singular musician to follow, listen, and play on and on – her new album, Black Origami, is strong and powerful.

2. ‘Define Gender: Victoria Sin’ (2017) by Amrou Al-Kadhi

Victoria Sin is doing something unique and they explain their aims so poetically and clearly that this video should be played on public transports and in pubs: “The labour of femininity isn’t only the performance, it’s perseverance in the face of our ascribed and inscribed precarity. It’s the struggle to be respected and have our agencies recognized. When I decide to take up space it is often seen as rude to those who are used to be making myself small.”

3. Angela Davis and Judith Butler 

This talk with Angela Davis and Judith Butler on inequality moderated by Ramona Naddaff is very current and urgent – it also shows how much work is to be done in terms of including people with impairments and disabilities to public events.

4. Aaliyah x Rihanna mash up

Two of the greatest in Amorphous magical mash up – delightful.

5. Valleyz, Tessellated, & Amindi K. Fro$t – Pine & Ginger

A tale of sorrow and escaping in sweet vices – produced by Valleyz, and performed by Tessellated and Amindi K. Fro$t

6. Bjork 

Bjork – and this video from what is her best album (to me), Vespertine, directed by the fashion designer Ekio Ishioka (Bram Stoker’s Dracula)

7. Spike Jonze ‘I’m Here’ 

Beautifully shot and because we all need a good robot love story

8. DJ Rachel 

DJ Rachel is part of the East African collective called Santuri – I love the fact that they include a page called ‘femme electronic’ on their website.**

Karolina Lebek + Susannah Stark’s Unnatural Wealth is on at London’s StudioRCA Riverlight, running July 27 to September 7. 

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