A
Deborah Holman, '​who tf makes 1 sec stories anyway', (2017). Installation view. Courtesy the artist + OSLO10, Basel.
B
Nina Kettiger, '​The circumstances will reveal themselves VII', (2017). Installation view. Courtesy the artist + OSLO10, Basel.
C
Catherine Prieto Österberg, 'Is this Love?' (2017). Installation view. Courtesy the artist + OSLO10, Basel.
D
Ceylan Öztrük, '​Venus in Besiktas, Venus of Willendorf', (2014). Installation view. Courtesy the artist + OSLO10, Basel.
E
Ceylan Öztrük, '​Venus in Besiktas, Venus of Willendorf', (2014). Installation view. Courtesy the artist + OSLO10, Basel.
F
Ceylan Öztrük, 'The Venuses of Monruz', (2016). Installation view. Courtesy the artist + OSLO10, Basel.
G
Ceylan Öztrük, '​Venus in Besiktas' (2014). Performance film in Istanbul. Courtesy the artist + OSLO10, Basel.
H
Ceylan Öztrük, '​Venus in Besiktas' (2014). Performance film in Istanbul. Courtesy the artist + OSLO10, Basel.
I
ROTHLISBERGER1
J
Sabrina Röthlisberger, '​Fille de la lune 2016 Costa Rica : I was an indigenous before a minority / I wish I could help you, but I ain't your mama / good vibes only / So far from heaven / Never put your Faith in a prince when you need a miracle Trust in a witch', (2016). Installation view. Courtesy the artist + OSLO10, Basel.
K
Sabrina Röthlisberger, '​Fille de la lune 2016 Costa Rica : I was an indigenous before a minority / I wish I could help you, but I ain't your mama / good vibes only / So far from heaven / Never put your Faith in a prince when you need a miracle Trust in a witch', (2016). Installation view. Courtesy the artist + OSLO10, Basel.
L
Sabrina Röthlisberger, '​Fille de la lune 2016 Costa Rica : I was an indigenous before a minority / I wish I could help you, but I ain't your mama / good vibes only / So far from heaven / Never put your Faith in a prince when you need a miracle Trust in a witch', (2016). Installation view. Courtesy the artist + OSLO10, Basel.
M
Maja Malou Lyse + Arvida Byström, '​Post-Phallic Lover Toy, love song' (2017). Installation view. Courtesy the artist + OSLO10, Basel.

“Who am Ai?” Post-authorship and open ends in Episode 10: Boudoir Sulk at Oslo10

, 8 March 2017

The Episode 10: Boudoir Sulk group exhibition at Basel’s Oslo10 opened February 26 and is running to March 19.

Organised by Agatha Valkyrie Ice or (aka post-gender avatar ‘Ai’) the show is the 10th episode of the Ai curatorial programme, set up for OSLO1O, that follows the “concept of MTV Cribs.” Each exhibition/IRL story is told in a different part of the Ai sci-fi house, with past projects including Episode 4: Bathroom (2015) and Episode 5: Library (2016). In addition, there is also a web residency programme that runs alongside.

Ceylan Öztrük, ‘​Venus in Besiktas’ (2014). Performance film in Istanbul. Courtesy the artist + Oslo10, Basel.

Ai, a reworking of the concept ‘I’, is meant to embody a post-authorship role, providing an open-ended script and allowing multiplicity of voice in collective performance, where one can be both on the periphery and/or apart, but all attached to Ai by one of “Ai’s extremities.”

The final exhibition features work by Arvida ByströmMaja Malou Lyse,Deborah Holman, Nina Kettiger, LGG$B, ​Catherine Prieto Österberg​, ​Sabrina Röthlisberger, ​Mia Sánchez and Ceylan Öztrük

The installation brought together a range of sculptural interventions into the space, a video aswell as jewellery worn during event. Boudoir Sulk is accompanied by a text by Agatha Valkyrie Ice that reads somewhere between an affirmation and manifesto; a declaration that “Ai am positional, utopian, and without innocence. No longer structured by the polarity of public and private…”**

The ‘Episode 10: Boudoir Sulk’ group exhibition is on at Basel’s OSLO10, running February 26 to March 19, 2017.

At the Cliffs of River Rhine @ Oslo10, Nov 17 – Dec 18

14 November 2016

The Episode 10: Boudoir Sulk group exhibition at Basel’s Oslo10 opened February 26 and is running to March 19.

Organised by Agatha Valkyrie Ice or (aka post-gender avatar ‘Ai’) the show is the 10th episode of the Ai curatorial programme, set up for OSLO1O, that follows the “concept of MTV Cribs.” Each exhibition/IRL story is told in a different part of the Ai sci-fi house, with past projects including Episode 4: Bathroom (2015) and Episode 5: Library (2016). In addition, there is also a web residency programme that runs alongside.

Ceylan Öztrük, ‘​Venus in Besiktas’ (2014). Performance film in Istanbul. Courtesy the artist + Oslo10, Basel.

Ai, a reworking of the concept ‘I’, is meant to embody a post-authorship role, providing an open-ended script and allowing multiplicity of voice in collective performance, where one can be both on the periphery and/or apart, but all attached to Ai by one of “Ai’s extremities.”

The final exhibition features work by Arvida ByströmMaja Malou Lyse,Deborah Holman, Nina Kettiger, LGG$B, ​Catherine Prieto Österberg​, ​Sabrina Röthlisberger, ​Mia Sánchez and Ceylan Öztrük

The installation brought together a range of sculptural interventions into the space, a video aswell as jewellery worn during event. Boudoir Sulk is accompanied by a text by Agatha Valkyrie Ice that reads somewhere between an affirmation and manifesto; a declaration that “Ai am positional, utopian, and without innocence. No longer structured by the polarity of public and private…”**

The ‘Episode 10: Boudoir Sulk’ group exhibition is on at Basel’s OSLO10, running February 26 to March 19, 2017.