A
Deborah Holman, '​who tf makes 1 sec stories anyway', (2017). Installation view. Courtesy the artist + OSLO10, Basel.
B
Nina Kettiger, '​The circumstances will reveal themselves VII', (2017). Installation view. Courtesy the artist + OSLO10, Basel.
C
Catherine Prieto Österberg, 'Is this Love?' (2017). Installation view. Courtesy the artist + OSLO10, Basel.
D
Ceylan Öztrük, '​Venus in Besiktas, Venus of Willendorf', (2014). Installation view. Courtesy the artist + OSLO10, Basel.
E
Ceylan Öztrük, '​Venus in Besiktas, Venus of Willendorf', (2014). Installation view. Courtesy the artist + OSLO10, Basel.
F
Ceylan Öztrük, 'The Venuses of Monruz', (2016). Installation view. Courtesy the artist + OSLO10, Basel.
G
Ceylan Öztrük, '​Venus in Besiktas' (2014). Performance film in Istanbul. Courtesy the artist + OSLO10, Basel.
H
Ceylan Öztrük, '​Venus in Besiktas' (2014). Performance film in Istanbul. Courtesy the artist + OSLO10, Basel.
I
ROTHLISBERGER1
J
Sabrina Röthlisberger, '​Fille de la lune 2016 Costa Rica : I was an indigenous before a minority / I wish I could help you, but I ain't your mama / good vibes only / So far from heaven / Never put your Faith in a prince when you need a miracle Trust in a witch', (2016). Installation view. Courtesy the artist + OSLO10, Basel.
K
Sabrina Röthlisberger, '​Fille de la lune 2016 Costa Rica : I was an indigenous before a minority / I wish I could help you, but I ain't your mama / good vibes only / So far from heaven / Never put your Faith in a prince when you need a miracle Trust in a witch', (2016). Installation view. Courtesy the artist + OSLO10, Basel.
L
Sabrina Röthlisberger, '​Fille de la lune 2016 Costa Rica : I was an indigenous before a minority / I wish I could help you, but I ain't your mama / good vibes only / So far from heaven / Never put your Faith in a prince when you need a miracle Trust in a witch', (2016). Installation view. Courtesy the artist + OSLO10, Basel.
M
Maja Malou Lyse + Arvida Byström, '​Post-Phallic Lover Toy, love song' (2017). Installation view. Courtesy the artist + OSLO10, Basel.

“Who am Ai?” Post-authorship and open ends in Episode 10: Boudoir Sulk at Oslo10

, 8 March 2017

The Episode 10: Boudoir Sulk group exhibition at Basel’s Oslo10 opened February 26 and is running to March 19.

Organised by Agatha Valkyrie Ice or (aka post-gender avatar ‘Ai’) the show is the 10th episode of the Ai curatorial programme, set up for OSLO1O, that follows the “concept of MTV Cribs.” Each exhibition/IRL story is told in a different part of the Ai sci-fi house, with past projects including Episode 4: Bathroom (2015) and Episode 5: Library (2016). In addition, there is also a web residency programme that runs alongside.

Ceylan Öztrük, ‘​Venus in Besiktas’ (2014). Performance film in Istanbul. Courtesy the artist + Oslo10, Basel.

Ai, a reworking of the concept ‘I’, is meant to embody a post-authorship role, providing an open-ended script and allowing multiplicity of voice in collective performance, where one can be both on the periphery and/or apart, but all attached to Ai by one of “Ai’s extremities.”

The final exhibition features work by Arvida ByströmMaja Malou Lyse,Deborah Holman, Nina Kettiger, LGG$B, ​Catherine Prieto Österberg​, ​Sabrina Röthlisberger, ​Mia Sánchez and Ceylan Öztrük

The installation brought together a range of sculptural interventions into the space, a video aswell as jewellery worn during event. Boudoir Sulk is accompanied by a text by Agatha Valkyrie Ice that reads somewhere between an affirmation and manifesto; a declaration that “Ai am positional, utopian, and without innocence. No longer structured by the polarity of public and private…”**

The ‘Episode 10: Boudoir Sulk’ group exhibition is on at Basel’s OSLO10, running February 26 to March 19, 2017.

Gaia Vincensini on the murky role of the “artist” now in solo show Trust at 1:1, Jan 13 – 27

Monday

The Episode 10: Boudoir Sulk group exhibition at Basel’s Oslo10 opened February 26 and is running to March 19.

Organised by Agatha Valkyrie Ice or (aka post-gender avatar ‘Ai’) the show is the 10th episode of the Ai curatorial programme, set up for OSLO1O, that follows the “concept of MTV Cribs.” Each exhibition/IRL story is told in a different part of the Ai sci-fi house, with past projects including Episode 4: Bathroom (2015) and Episode 5: Library (2016). In addition, there is also a web residency programme that runs alongside.

Ceylan Öztrük, ‘​Venus in Besiktas’ (2014). Performance film in Istanbul. Courtesy the artist + Oslo10, Basel.

Ai, a reworking of the concept ‘I’, is meant to embody a post-authorship role, providing an open-ended script and allowing multiplicity of voice in collective performance, where one can be both on the periphery and/or apart, but all attached to Ai by one of “Ai’s extremities.”

The final exhibition features work by Arvida ByströmMaja Malou Lyse,Deborah Holman, Nina Kettiger, LGG$B, ​Catherine Prieto Österberg​, ​Sabrina Röthlisberger, ​Mia Sánchez and Ceylan Öztrük

The installation brought together a range of sculptural interventions into the space, a video aswell as jewellery worn during event. Boudoir Sulk is accompanied by a text by Agatha Valkyrie Ice that reads somewhere between an affirmation and manifesto; a declaration that “Ai am positional, utopian, and without innocence. No longer structured by the polarity of public and private…”**

The ‘Episode 10: Boudoir Sulk’ group exhibition is on at Basel’s OSLO10, running February 26 to March 19, 2017.

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