Marianna Simnett @ Seventeen, Nov 20 – Jan 22

, 18 November 2016
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Marianna Simnett is presenting solo exhibition Lies at New York’s Seventeen gallery, opening November 20 and running from November 23 to January 22.

The London-based artist works with film, often weaving disparate yet connected narratives together to explore the contaminated body and the visceral reality of identity. Rooted in layers and histories, there’s often a violent undertone to most of Simnett’s work; a balancing act between constraint and subversion.

Simnett first screened the new film as part of the Serpentine Miracle Marathon (2016) in October and had a solo exhibition Valves Collapse at Seventeen Gallery London earlier this year.

See the Seventeen gallery website for details.**

A planetarium of loss + grief: David Blandy sifts through the macro + micro of The End of the World at Seventeen, Nov 2 – Dec 16

1 November 2017

Marianna Simnett is presenting solo exhibition Lies at New York’s Seventeen gallery, opening November 20 and running from November 23 to January 22.

The London-based artist works with film, often weaving disparate yet connected narratives together to explore the contaminated body and the visceral reality of identity. Rooted in layers and histories, there’s often a violent undertone to most of Simnett’s work; a balancing act between constraint and subversion.

Simnett first screened the new film as part of the Serpentine Miracle Marathon (2016) in October and had a solo exhibition Valves Collapse at Seventeen Gallery London earlier this year.

See the Seventeen gallery website for details.**

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Scintillating syntax + chasing the cheese in Rhys Coren’s Whistle Bump Super Strut at Seventeen, Mar 9 – Apr 15

6 March 2017

Marianna Simnett is presenting solo exhibition Lies at New York’s Seventeen gallery, opening November 20 and running from November 23 to January 22.

The London-based artist works with film, often weaving disparate yet connected narratives together to explore the contaminated body and the visceral reality of identity. Rooted in layers and histories, there’s often a violent undertone to most of Simnett’s work; a balancing act between constraint and subversion.

Simnett first screened the new film as part of the Serpentine Miracle Marathon (2016) in October and had a solo exhibition Valves Collapse at Seventeen Gallery London earlier this year.

See the Seventeen gallery website for details.**

  share news item