WHEN THE CAT’S AWAY, ABSTRACTION @ Anna Jill Lüpertz, Apr 22 – Jun 4

, 21 April 2016
news

The WHEN THE CAT’S AWAY, ABSTRACTION group exhibition is on at Berlin’s Anna Jill Lüpertz Gallery, opening April 22 and running to June 4.

Curated by Tina Sauerländer, the show seeks to explore the ‘fluid space’ of interaction at the liminal in-between, where virtual and analogue existences meet with the work of artists who use what the press release calls “abstract visual language” as their tool.

Those artists include Juliette Bonneviot, Manuel Fernández, Philip Hausmeier, Vince Mckelvie, and Cecilia Salama, creative practitioners who present an interest that goes beyond “the cat videos and selfies we share online” to the consequences of the new materials and visual languages that emerge from this online and offline visual fusion.

See the Anna Jill Lüpertz Gallery website for details.**

Cecilia Salama, domain/domain (2015). Exhibition view. Courtesy The Java Project, New York.
Cecilia Salama, domain/domain (2015). Exhibition view. Courtesy The Java Project, New York.

Header image: Philip Hausmeier, ‘Mental Physics’ (2016). Courtesy the artist.

 

On energy + emotional intensity in the organic-inorganic composite of multi-disciplinary artist + producer Air Max ‘97’s Nacre

23 April 2018

8ULENTINA’s sounds of substance combine a background in visual art + a penchant for unsettling staples in their first Club Chai release

Olly Han, Wednesday

A celebration of loss, life, and good times: Babatunde Doherty and Teal Griffin’s trilogy Beach Rhythm at Enclave

16 April 2018

WULFFLUW XCIV’s We Are All From The Earth reaches out from Russia’s Ural Mountains in a call to set aside our differences

aqnb, 13 April 2018

Bodies in motion: Mass migration of biblical proportions in Santiago Mostyn + Slow Wave’s ‘SUEDI (Slow Wave edit): Two Versions’

13 April 2018

No notes without ears: Dissonant horizons in gleeful revolt for Lucy Railton’s infinite + spectral Paradise 94 album

Alexander Iadarola, 11 April 2018

Sarah Boulton + Ulijona Odišarija’s looping choreography in Waving at Patara Gallery

6 April 2018

Saint Abdullah premiere ‘Children At War’ for their album dedicated to the next generation of Muslim kids feeling sad, frightened + angry

aqnb, 4 April 2018

Tania Fiaccadori re-presents ritual + symbolic power in Sea-Monkeys Cult at Dimora Artica

3 April 2018

“Who owns this?” Akinola Davies Jr’s, aka Crack Stevens, on knock-offs, status symbols + documenting the African Diaspora in London

3 April 2018

Sydney-based Canadian artist Fake dives into the murky depths of complicity in his own alienation for his synthetic self-titled release

aqnb, 29 March 2018

Entropy + entanglement in Julia Crabtree & William Evans Tracts at fluent

26 March 2018

Out of bounds: dvdv explores the passage of time, thoughts + emotion in the neural networks of audio-interactive album ai am

24 March 2018

Chinabot is redefining the Pan-Asian experience through the sounds made by the people living it in Mental Maps compilation

aqnb, 23 March 2018

Similar to a musical poem: Petit Singe expands on her personal history through an intricate, melodious + emotive mix for AQNB

aqnb, 23 March 2018