Andreas Nicolas Fischer uses software, sculpture and installation to experiment with aleatoric processes and create compositions blending the virtual and the real. These generative pieces are meant to formalise coincidence and shift focus away from composition, thus making him both “creator and spectator of his own work”. See his Fischer’s website for more details. **
Like what you see? AQNB continues to exist only through the dedication and generosity of the community it promotes. You can help us keep going by way of a monthly subscription to our Patreon.
All funds raised will go directly to editorial commissioning and support our contributors in their excellent work.
Jim Curious
Andreas Nicolas Fischer uses software, sculpture and installation to experiment with aleatoric processes and create compositions blending the virtual and the real. These generative pieces are meant to formalise coincidence and shift focus away from composition, thus making him both “creator and spectator of his own work”. See his Fischer’s website for more details. **
‘Napathon’ @ Hack the Barbican
Andreas Nicolas Fischer uses software, sculpture and installation to experiment with aleatoric processes and create compositions blending the virtual and the real. These generative pieces are meant to formalise coincidence and shift focus away from composition, thus making him both “creator and spectator of his own work”. See his Fischer’s website for more details. **
‘Penthouse 4C’ @ Barbican
Andreas Nicolas Fischer uses software, sculpture and installation to experiment with aleatoric processes and create compositions blending the virtual and the real. These generative pieces are meant to formalise coincidence and shift focus away from composition, thus making him both “creator and spectator of his own work”. See his Fischer’s website for more details. **
Dan Hayhurst + Grumbling Fur @ Oslo, Sep 27
Andreas Nicolas Fischer uses software, sculpture and installation to experiment with aleatoric processes and create compositions blending the virtual and the real. These generative pieces are meant to formalise coincidence and shift focus away from composition, thus making him both “creator and spectator of his own work”. See his Fischer’s website for more details. **
Open Studios @ YSA, Apr 6
Andreas Nicolas Fischer uses software, sculpture and installation to experiment with aleatoric processes and create compositions blending the virtual and the real. These generative pieces are meant to formalise coincidence and shift focus away from composition, thus making him both “creator and spectator of his own work”. See his Fischer’s website for more details. **
Siah Armajani @ Parasol Unit in September
Andreas Nicolas Fischer uses software, sculpture and installation to experiment with aleatoric processes and create compositions blending the virtual and the real. These generative pieces are meant to formalise coincidence and shift focus away from composition, thus making him both “creator and spectator of his own work”. See his Fischer’s website for more details. **
Thug Entrancer, ‘Ronin’ (2016) video
Andreas Nicolas Fischer uses software, sculpture and installation to experiment with aleatoric processes and create compositions blending the virtual and the real. These generative pieces are meant to formalise coincidence and shift focus away from composition, thus making him both “creator and spectator of his own work”. See his Fischer’s website for more details. **
Slava – ‘Better’
Andreas Nicolas Fischer uses software, sculpture and installation to experiment with aleatoric processes and create compositions blending the virtual and the real. These generative pieces are meant to formalise coincidence and shift focus away from composition, thus making him both “creator and spectator of his own work”. See his Fischer’s website for more details. **
David Kanaga – ‘DYAD – OGST Spins’
Andreas Nicolas Fischer uses software, sculpture and installation to experiment with aleatoric processes and create compositions blending the virtual and the real. These generative pieces are meant to formalise coincidence and shift focus away from composition, thus making him both “creator and spectator of his own work”. See his Fischer’s website for more details. **