It’s a month of first editions in new media art with São Paulo’s The Wrong – New Digital Art Biennale weighing in on the great land grab for what’s to be a significant movement toward transdisciplinarity in contemporary art. The festival itself runs from November 1 to December 31 and they’ve opened submissions to the public for ‘Homeostasis Lab’.
Emilio Gomariz, ‘Fluids’. New work exhibited as screensaver at idlescreenings.com.
Anyone who isn’t already involved in any other pavilion can apply and submissions, in a long list of “internet friendly” digital art, will be selected and curated up to and throughout the festival. See the The Wrong BiennaleFacebook page for more information.**
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It’s a month of first editions in new media art with São Paulo’s The Wrong – New Digital Art Biennale weighing in on the great land grab for what’s to be a significant movement toward transdisciplinarity in contemporary art. The festival itself runs from November 1 to December 31 and they’ve opened submissions to the public for ‘Homeostasis Lab’.
Emilio Gomariz, ‘Fluids’. New work exhibited as screensaver at idlescreenings.com.
Anyone who isn’t already involved in any other pavilion can apply and submissions, in a long list of “internet friendly” digital art, will be selected and curated up to and throughout the festival. See the The Wrong BiennaleFacebook page for more information.**
It’s a month of first editions in new media art with São Paulo’s The Wrong – New Digital Art Biennale weighing in on the great land grab for what’s to be a significant movement toward transdisciplinarity in contemporary art. The festival itself runs from November 1 to December 31 and they’ve opened submissions to the public for ‘Homeostasis Lab’.
Emilio Gomariz, ‘Fluids’. New work exhibited as screensaver at idlescreenings.com.
Anyone who isn’t already involved in any other pavilion can apply and submissions, in a long list of “internet friendly” digital art, will be selected and curated up to and throughout the festival. See the The Wrong BiennaleFacebook page for more information.**
It’s a month of first editions in new media art with São Paulo’s The Wrong – New Digital Art Biennale weighing in on the great land grab for what’s to be a significant movement toward transdisciplinarity in contemporary art. The festival itself runs from November 1 to December 31 and they’ve opened submissions to the public for ‘Homeostasis Lab’.
Emilio Gomariz, ‘Fluids’. New work exhibited as screensaver at idlescreenings.com.
Anyone who isn’t already involved in any other pavilion can apply and submissions, in a long list of “internet friendly” digital art, will be selected and curated up to and throughout the festival. See the The Wrong BiennaleFacebook page for more information.**
It’s a month of first editions in new media art with São Paulo’s The Wrong – New Digital Art Biennale weighing in on the great land grab for what’s to be a significant movement toward transdisciplinarity in contemporary art. The festival itself runs from November 1 to December 31 and they’ve opened submissions to the public for ‘Homeostasis Lab’.
Emilio Gomariz, ‘Fluids’. New work exhibited as screensaver at idlescreenings.com.
Anyone who isn’t already involved in any other pavilion can apply and submissions, in a long list of “internet friendly” digital art, will be selected and curated up to and throughout the festival. See the The Wrong BiennaleFacebook page for more information.**
It’s a month of first editions in new media art with São Paulo’s The Wrong – New Digital Art Biennale weighing in on the great land grab for what’s to be a significant movement toward transdisciplinarity in contemporary art. The festival itself runs from November 1 to December 31 and they’ve opened submissions to the public for ‘Homeostasis Lab’.
Emilio Gomariz, ‘Fluids’. New work exhibited as screensaver at idlescreenings.com.
Anyone who isn’t already involved in any other pavilion can apply and submissions, in a long list of “internet friendly” digital art, will be selected and curated up to and throughout the festival. See the The Wrong BiennaleFacebook page for more information.**
It’s a month of first editions in new media art with São Paulo’s The Wrong – New Digital Art Biennale weighing in on the great land grab for what’s to be a significant movement toward transdisciplinarity in contemporary art. The festival itself runs from November 1 to December 31 and they’ve opened submissions to the public for ‘Homeostasis Lab’.
Emilio Gomariz, ‘Fluids’. New work exhibited as screensaver at idlescreenings.com.
Anyone who isn’t already involved in any other pavilion can apply and submissions, in a long list of “internet friendly” digital art, will be selected and curated up to and throughout the festival. See the The Wrong BiennaleFacebook page for more information.**
It’s a month of first editions in new media art with São Paulo’s The Wrong – New Digital Art Biennale weighing in on the great land grab for what’s to be a significant movement toward transdisciplinarity in contemporary art. The festival itself runs from November 1 to December 31 and they’ve opened submissions to the public for ‘Homeostasis Lab’.
Emilio Gomariz, ‘Fluids’. New work exhibited as screensaver at idlescreenings.com.
Anyone who isn’t already involved in any other pavilion can apply and submissions, in a long list of “internet friendly” digital art, will be selected and curated up to and throughout the festival. See the The Wrong BiennaleFacebook page for more information.**
It’s a month of first editions in new media art with São Paulo’s The Wrong – New Digital Art Biennale weighing in on the great land grab for what’s to be a significant movement toward transdisciplinarity in contemporary art. The festival itself runs from November 1 to December 31 and they’ve opened submissions to the public for ‘Homeostasis Lab’.
Emilio Gomariz, ‘Fluids’. New work exhibited as screensaver at idlescreenings.com.
Anyone who isn’t already involved in any other pavilion can apply and submissions, in a long list of “internet friendly” digital art, will be selected and curated up to and throughout the festival. See the The Wrong BiennaleFacebook page for more information.**
It’s a month of first editions in new media art with São Paulo’s The Wrong – New Digital Art Biennale weighing in on the great land grab for what’s to be a significant movement toward transdisciplinarity in contemporary art. The festival itself runs from November 1 to December 31 and they’ve opened submissions to the public for ‘Homeostasis Lab’.
Emilio Gomariz, ‘Fluids’. New work exhibited as screensaver at idlescreenings.com.
Anyone who isn’t already involved in any other pavilion can apply and submissions, in a long list of “internet friendly” digital art, will be selected and curated up to and throughout the festival. See the The Wrong BiennaleFacebook page for more information.**
It’s a month of first editions in new media art with São Paulo’s The Wrong – New Digital Art Biennale weighing in on the great land grab for what’s to be a significant movement toward transdisciplinarity in contemporary art. The festival itself runs from November 1 to December 31 and they’ve opened submissions to the public for ‘Homeostasis Lab’.
Emilio Gomariz, ‘Fluids’. New work exhibited as screensaver at idlescreenings.com.
Anyone who isn’t already involved in any other pavilion can apply and submissions, in a long list of “internet friendly” digital art, will be selected and curated up to and throughout the festival. See the The Wrong BiennaleFacebook page for more information.**
It’s a month of first editions in new media art with São Paulo’s The Wrong – New Digital Art Biennale weighing in on the great land grab for what’s to be a significant movement toward transdisciplinarity in contemporary art. The festival itself runs from November 1 to December 31 and they’ve opened submissions to the public for ‘Homeostasis Lab’.
Emilio Gomariz, ‘Fluids’. New work exhibited as screensaver at idlescreenings.com.
Anyone who isn’t already involved in any other pavilion can apply and submissions, in a long list of “internet friendly” digital art, will be selected and curated up to and throughout the festival. See the The Wrong BiennaleFacebook page for more information.**
It’s a month of first editions in new media art with São Paulo’s The Wrong – New Digital Art Biennale weighing in on the great land grab for what’s to be a significant movement toward transdisciplinarity in contemporary art. The festival itself runs from November 1 to December 31 and they’ve opened submissions to the public for ‘Homeostasis Lab’.
Emilio Gomariz, ‘Fluids’. New work exhibited as screensaver at idlescreenings.com.
Anyone who isn’t already involved in any other pavilion can apply and submissions, in a long list of “internet friendly” digital art, will be selected and curated up to and throughout the festival. See the The Wrong BiennaleFacebook page for more information.**
It’s a month of first editions in new media art with São Paulo’s The Wrong – New Digital Art Biennale weighing in on the great land grab for what’s to be a significant movement toward transdisciplinarity in contemporary art. The festival itself runs from November 1 to December 31 and they’ve opened submissions to the public for ‘Homeostasis Lab’.
Emilio Gomariz, ‘Fluids’. New work exhibited as screensaver at idlescreenings.com.
Anyone who isn’t already involved in any other pavilion can apply and submissions, in a long list of “internet friendly” digital art, will be selected and curated up to and throughout the festival. See the The Wrong BiennaleFacebook page for more information.**
It’s a month of first editions in new media art with São Paulo’s The Wrong – New Digital Art Biennale weighing in on the great land grab for what’s to be a significant movement toward transdisciplinarity in contemporary art. The festival itself runs from November 1 to December 31 and they’ve opened submissions to the public for ‘Homeostasis Lab’.
Emilio Gomariz, ‘Fluids’. New work exhibited as screensaver at idlescreenings.com.
Anyone who isn’t already involved in any other pavilion can apply and submissions, in a long list of “internet friendly” digital art, will be selected and curated up to and throughout the festival. See the The Wrong BiennaleFacebook page for more information.**
